The Lyons - Menier Chocolate Factory

SETTLING down at the Menier Chocolate Factory to watch Nicky Silver’s play The Lyons I realised this is not the sort of play you should take anyone to who has just lost or is in the process of losing a loved one.

The story is a simple one. Ben Lyons (Nicholas Day) is lying and dying in a hospital bed. His odious wife Rita (Isla Blair) is busy plotting her life once he’s popped his clogs, looking at home decor magazines for inspiration with a view to erasing any lasting memory of him in the house.

Their two children, recovering alcoholic and single mum Lisa (Charlotte Randle) and gay short story writer Curtis (Tom Ellis) are summoned to their father’s bed and told just before the end comes - and it doesn’t go down well.

In fact the news causes many old wounds to re-open, tempers to flare and truths to come out.

So, unsurprisingly Ben is not exactly full of the joys and spends what little time he has left cursing anyone and everyone.

Although achingly funny in places it is ultimately a sad tale of a dysfunctional New York Jewish family who are all nursing grievances of one sort or another.

The cast is superb, particularly Tom Ellis as Curtis whose cack handed attempt at seducing Ben Aldridge’s estate agent was one of the highlights of the piece.

But the star of the show was Isla Blair as Rita. She was brilliant, dispensing nasty, distasteful and caustic comments to both her husband and children with absolutely no compunction whatsoever. Brilliant.

The Lyons is at the Menier Chocolate Factory until November 16.

Tickets from £31. Call the box office 020 7378 1713

As You Like It - The Rose Theatre Bankside

THE shadowy and dark setting of the Rose Theatre on Bankside is the perfect backdrop for Shakespeare’s romantic play As You Like It.

And director Jessica Ruano’s lively and spirited production now on at the Rose Theatre is a real treat.

The play centres on Rosalind, the daughter of a banished duke, who falls in love with Orlando at a wrestling match. Jealous of her popularity her uncle orders her to leave the court, despite protestations from both Rosalind and her cousin Celia.

Disguised as a boy she flees in the dead of night with Celia and court jester Touchstone and seeks out her father and his friends in the Forest of Arden.

Here she meets Orlando again and, under the guise of a young man, counsels him in the art of love.

This is a much pared down version of the Bard’s classic with no sub plots and an absence of Touchstone.

But although it appears slightly disjointed in places and has a rather abrupt ending, it is entertaining and makes fantastic use of the archaeological site in which it is staged and the seven members of the cast convey the story well.

The sparring early on between Suzanne Marie as Rosalind and Stacy Sobieski as Celia and was great fun and Andrew Venning as Jacques was suitably melancholy.

However it was the delightful paring of Matthew Howell as Orlando and Suzanne Marie as Rosalind which really shined.





As You Like It is on at the Rose Theatre until October 26. Call the box office on 020 7261 9565

Gina Yashere

SHE may call LA her home but award-winning comedienne Gina Yashere maintains her love of Britain.

So much so she is back on home turf for a nationwide tour of Gina Yashere: Live! and is coming to the Albany next week.

A former lift engineer, Gina made her comedy debut at the Edinburgh Festival in 1996 and went on to sell out shows in the UK, Japan, Dubai, Hong Kong, Singapore, Australia, Canada, South Africa, Europe and America, where she now lives.

Fans may also have seen her on such shows as the BBC's Mock The Week, Live at the Apollo and in ITV's Single Married Other.

But it's stand up which she is best known for and the 39-year-old has just landed back in Britain to continue the tour which she brought to the South Bank earlier in the year.

"I had a great summer," she says. "I did Udderbelly at the South Bank which was amazing and then went abroad with it but now I'm back and coming to the Albany!"

Fans of her brash, direct and in your face brand of comic fare, not to mention her infectious laugh and that twinkle in her eye, will not be disappointed as she promises to discuss anything and everything including hilarious anecdotes and such subjects as Jimmy Savile, the Olympics and "not being able to pee in a straight line".

"It's a new development and part of the ageing process - I'm falling apart!" she laughs.

"It'll basically be a round up of the last two years but I'll just be having a chat with the audience so will see what they want me to talk about.

"I love the Albany - it's one of my favourite rooms - and I've performed here quite a few times so it'll be great to be back.

"It's such an intimate space and the audiences are always really warm, excited, pumped up and raring to go so we'll have a good time - as soon as I get on stage it's like a party atmosphere.

"It's what I love about places like the Albany. Don't get me wrong I'd love to sell out somewhere like the O2 but you can't see the audience past the first couple of rows so it's much more difficult to chat to them all.

"At the Albany you can see everyone which is great - and I like to talk to the audience and incorporate them into the show. It makes it much more friendly and relaxed."

But despite her good humour and love of London, Gina is in no rush to move back.

"I love the sunshine in LA too much! However, I love the fact I can say what I want when I'm doing a gig here and I do miss the mix of people and cultures in the UK.

"I'm planning to move to New York at some point to be part of that kind of mix - but I won't be staying for their winters - much too cold."

Gina Yashere: Live! at the Albany, Douglas Way, Deptford.

Saturday 26 October 7pm. Tickets from £12. Call the box office on 020 8692 4446

Interview with Michael Rosen

ANYONE who has children will probably be familiar with the name Michael Rosen. The legendary writer, broadcaster and former children's laureate has been a leading figure in children's literature in Britain for more than 30 years.

With a canon of 140 poetry books and novels under his belt including such classics as We're All Going On A Bear Hunt, not to mention being a regular on TV and radio, he has become a firm favourite with families across the country.

The 67-year-old was also one of the first poets to make visits to schools and is now a regular on the road, touring his one-man show to enthuse youngsters with his passion for literature of all kinds.

He has just kicked off his latest nationwide tour exploring science, imagination and sound and is coming to the Albany in Deptford on October 19.

Said show is Centrally Heated Knickers, based on his book of the same name featuring 100 poems about science and technology and which is supported by the Wellcome Trust, The Institute of Physics and the Arts Council of England.

But what makes this particular show different from others he has done is that it is a collaboration with music collective The Homemade Orchestra.

Fusing rhythms with rhymes, it aims to breathe life into the weird and wonderful world of science and sees Michael recite and perform live on stage accompanied by the orchestra's versatile gaggle of musicians.

"The book is a whole load of poems based on ideas to do with science and technology and which was commissioned by the Design Council," he says.

"They are funny poems to show children ideas about gravity, chemistry and designing things.

"The wonderful musicians Homemade Orchestra approached me and suggested putting it together and make it a show. So that's what I did."

Using poetry and puppetry and with the audience’s help, Michael and the musicians explore such questions as what am I? where am I? and how does it all work?

They discover how ears work, how music is made and even how a spot of electric circuit building can help keep our knickers warm.

"It's really good fun and although we try and make it as entertaining as possible, there is obviously an educational element to it," he explains.

Although Michael says he loved science at school he recognises that as a subject it can be a turn off for some youngsters. This show aims to change that.

"I was keen on Biology and liked Zoology very much. But I had teachers who were engaging. If it is not taught well in schools children find it dull and confusing," he says.

"Because we have invented science as a subject it can seem distant from real life. Whether we are breathing, standing or running or cooking these are all based on scientific things and the question is how we get kids interested in it.

"Science teachers have one way and poets have another way. With this show we discover things have rhythm and that it's something we take in through our bodies.

"We look at the ear, which is utterly fascinating and mysterious, and how sound gets in there.

"It's also about how we feel about something. Science is not really mad keen on how we feel. We have got to start with feeling in order to be interested.

"I hope it brings out the fun side in a subject that is often complex and confusing - there is a lot of humour in it!"

With so much passion and enthusiasm for inspiring kids, he is, as you would expect, not shy about giving his opinion on the education system.
"It needs to excite children," he stresses. "The best way to get kids to learn is by exciting them.

"I grew up in the 50s and it was very different. Nowadays schools have become little fiefdoms and it's something I would love to change.

"There is an attitude to professionals that they can only be bribed through performance related pay which is insulting.

"I would get teachers together to find out what works and what excites children in their learning."

And for Michael an essential component of this is access to libraries.

"Libraries are essential," he stresses. "It has been devastating to see them close - particularly in places like Lewisham - and shows the hypocrisy of what the government is saying about eradicating poverty and literacy.

"We have got to have places where people can read. People can't afford to buy books, schools don't have a budget for books and there is no statutory requirement to have libraries in schools. It's absurd.

"There is plenty of research to say if you want children to advance they have got to have access to as many books as possible. They have to be convenient. If we don't have libraries that won't happen.

"I was lucky as my parents were both teachers and loved literature and I was massively curious so they fed me books and I was hugely encouraged by them. It was the reason why I became a writer.

"I want children to read as much as possible to get them excited about words and language - and I hope this show will inspire and encourage them."

And he says he is looking forward to doing just that in Deptford.

"I've been to the Albany twice before - it's very matey with a strong local feel and commitment to it," he says.

"It's a lovely place to perform so I'm sure we'll have some fun there with this show."

Centrally Heated Knickers is on at the Albany in Douglas Way, Deptford on Saturday, October 19 at 2.30pm and 5.30pm.

Tickets cost from £12. Call the box office on 020 8692 4446.

The Light Princess - interview with Rosalie Craig

BEING offered the opportunity to learn exciting new skills must surely be one of the perks of doing any job. And for Rosalie Craig this has certainly been the case with her latest project.

The Crystal Palace-based actress is currently starring in The Light Princess at the National Theatre.

But far from being merely a stage play where she keeps her feet firmly on terra firma, this new musical sees Rosalie float above the stage for much of the proceedings.

Written by award-winning singer-songwriter Tori Amos, its central characters are a prince (Digby) and princess (Althea - played by Rosalie) who live in opposing kingdoms. Both have lost their mothers but deal with their grief in very different ways.

Digby becomes so heavy-hearted that he can never smile and trains as a warrior and Althea is unable to cry, becomes light with grief and floats.

"It's a fantastic story and very well crafted," says Rosalie. "It's about growing up and deals with those who may not be socially acceptable and how people react to them.

"Althea grieves for her dead mother and floats up to be near her but Digby is very grounded.

"That lightness is an aspect of many things - being light of mind and in her relation to things that are difficult to deal with."

To get her character to drift above the stage, Rosalie had to train with aerial artists and acrobats, something which, far from terrifying her, was an exciting proposition.

"I've never done anything like this before," she enthuses as we chat ahead of the show's opening.

"Marianne (Elliott, the director) came up with the brilliant idea about how Althea should float. It involves acrobatics so I had to train with an Acroyoga teacher and had to do aerial training.

"I have done a few musicals and lots of general theatre so that's not new territory but the demands of the physicality of the part really was. But it's a new journey that's been a complete joy."

However, this journey was not for the faint hearted as Rosalie had to train for 18 months, not just how to get to grips and feel comfortable with all the equipment to keep her up in the air and move around, but also to feel safe.

"It's not without its risks and it's been pretty full on but it's been such a luxury to learn a new skill and use it in a new job," she says.

"Physically and mentally it was exhausting but it's been so exciting and fantastic fun, especially working with Tori as she's incredible and so generous," she says.

"She totally understands how a musical should work and that songs need to be story and character driven, rather than writing a song for the song's sake. She's completely normal and approachable and not at all starry!" she laughs cheerfully.

"She has been there every single moment of every single day in rehearsals to make sure it's the best it can be - whether it's to change the music slightly or to give encouragement and that's been invaluable for me especially given what I have to do!

"I've also had to learn to trust the rest of the cast in a completely different way and to just go with it."

But despite the demands of the role, Rosalie says she has rarely felt nervous.

"I've just thrown myself into it," she laughs.

"I think I've been of the mindset that if I worry about being up in the air then I won't be able to do it."

This mindset has extended to other potentially nervewracking situations on stage, including her recent appearance in Table at the National's Shed stage in which she stripped off.

"It was one of those things that if I'd thought about it, it could have been a problem," she admits. "It was just another part of the show but was handled so respectively, sensitively and tastefully it really didn't feel as though it was a big deal."

Rosalie puts her "get on with it" and "can do" attitude down to her training at Rose Bruford College in Sidcup.

"I can't really remember not wanting to be an actress and part of a theatre company," she says.

"I love that I always felt like that. It made things very easy and my parents were supportive and I was so lucky to go to Rose Bruford.

"It was great training - hard work and long hours but was an incredibly good foundation and gave me a good grounding and attitude to work."

And as for the future Rosalie says she just wants to keep working.

"I don't have a role that I covert particularly but I'd love to stay at the National!" she says.

"It's such an amazing theatre and it attracts people who are creative and brave which is fantastic. There's also a sense of community here which is rare. I love it and I'd like to stay here for the rest of my life," she laughs heartily.

"Also, I live in Crystal Palace so it's very easy to get to work which is a massive help - it's a great place to be based. I've lived here for four years and I love it.

"It's just fantastic - it's green, there are lots of lovely independent shops and it's lovely to just be able to potter around.

"There are also a lot of festivals and food markets which I love!"

As well as the National, Rosalie admits to ambitions of working on screen.

"I'd love to do a bit of TV and film which I have not done much of," she says. "The good thing about this job is that there are so many possibilities and I'm keen to grab as many as I can - I've been very lucky so far.

"And this role has really inspired me and has been a great thing to do to banish any fears within myself.

"I'd also like to keep up this new skill and use it in the future - it will feel quite bizarre to put my feet on the ground again!"

Whatever she does next, it's clear that Rosalie is quite literally a rising star.

The Light Princess is on at the National Theatre's Lyttelton stage until Thursday, January 9.

Tickets from £12. Call the box office on 020 7452 3000.