Tuesday, 26 November 2013

Our Ajax

Three stars


A POWERFUL retelling of Sophocles's Ajax is now on at the Southwark Playhouse. Written by Timberlake Wertenbaker it is an epic drama of heroism, love and homeland set among a British regiment on the front line.
A bare set of sand underfoot and a curtain at the back to signify a tent is all that is needed in this incredibly moving production.
Ajax, played by a towering Joe Dixon, is going slowly mad thanks to the horrors of war. Once a revered colonel, he is now suffering from post traumatic stress disorder and mad rages.
He staggers on to the sand strewn stage covered in blood and sweat dragging a bloodied and mutilated corpse of a goat which he thinks is Odysseus thanks to the goddess Athena having messed with his brain.
Prone to violent outbursts peppered with moments of sorrow and compassion, Ajax's family and regiment are confused at the change in this once powerful, charismatic and enigmatic leader, father and husband and don't know how to handle him but try to do so with love and understanding.
At its heart the play explores and shows us what war can do to human beings - not just physically but perhaps more importantly, mentally.
There are some great performances including from Frances Ashman as Ajax's wife Tecmessa but it is the fabulous and moving portrayal by Dixon as Ajax which really lights up the stage.

Our Ajax is on at the Southwark Playhouse in Newington Causeway until November 30.

Tickets cost £16. Call the box office on 020 7407 0234.

Interview with Arthur Smith




SOUTH London comic Arthur Smith is bringing an air of mystery and amusement to Balham next month with his unique form of mobile comedy.
The self-elected Night Mayor of Balham will be hosting a secret night walk around his beloved South London neighbourhood.
The event, on Saturday, December 14, will include singing, chat and audience participation. But the rest - well all will be revealed on the night.
What started out as a spontaneous idea in Edinburgh many years ago to fill in time between gigs has become something of a regular occurrence. And they were soon the stuff of legend as Arthur explains.
"When I was doing the Edinburgh Festival in the 1980s I was doing a comedy show at night and was trying to find a way of keeping sober during the day and hit on the idea of a walking tour.
"It was a bit of a parody of a tour and history of the place that gets mangled up - it was all bullshit really as I made up most of it but they were a lot of fun."
The tours were so successful he began to do them during the evenings as well.
"Sometimes they didn't start until about 2am, after a gig, when everyone was pissed and I used to get about 200 people which obviously had the potential for a riot.
"It meant they frequently ended in chaos, had elements of nudity and I got arrested at least once," he chuckles.
"For example I used to pay people to climb up lamp posts and sing Scotland The Brave and I ended up in A&E one time.
"The night I got arrested for breach of the peace it involved (comedian) Malcolm Hardee who stripped off and did an impression of General De Gaulle.
"I was fined £100 but have never been asked for the money so technically I am still a wanted man," he laughs.
"There was one occasion when we had about 50 coppers descend on us and we all had to scatter in the wind - it was pandemonium!"
These days although the walks may be less raucous they are nonetheless a chance to see Arthur at his comedic best.
"I was born in Bermondsey and have lived in South London all my life. I couldn't live in north London. South London is much more real.
"I'm slowly moving around the South Circular and now live in Balham and I like the idea that it has its own catchphrase as Balham - Gateway to the South.
"I've lived here since the 1980s so know it really well so it's a chance to introduce others to the delights of the area.
"It basically involves me taking a group of people and leading them on a merry dance around Balham.
"I take them to my favourite places and hidden gems - there is no theatrical set that compares with the outside.
"Sometimes you have to be a bit careful because if you crowd around a building the security guards get a bit nervous but they can have a sense of humour.
"I will quite likely improvise if I come across people I like the look of - I tend to surround them and talk about them, not in an offensive way of course, but just chat really.
"I'm older now and less foolish so this one will be much more genteel," he chuckles. "But it will still be a bit of a laugh and a bit more out there than a children's tea party!"
But he admits he doesn't as yet have a definitive plan for the evening.
"I don't know yet where we will be going exactly," he muses. "I know roughly where we are going to go - but there is always an element of surprise with a set piece at the end.
"I will need to have a couple of things set up along the way so I'd better get cracking on it!"


Visit http://geckosuperstar.co.uk/stand-up-and-walk-arthur-smith/ to buy tickets and for starting point.

We Will Be Free - Bussey Building

FRESH from their success with The Ragged Trousered Philanthropists at the Bussey Building in Peckham, Townsend Productions is back with a new show We Will Be Free.
Set in 1834, it follows the extraordinary true story of George and Betsy Loveless.
George was a Methodist preacher and the leader of the six Dorsetshire farm labourers who were tried, convicted and condemned to harsh transportation by the Government for having the temerity to swear a secret oath and form a union to fight against a succession of wage cuts inflicted by the local landowner.
The piece has been written by Neil Gore, who starred in the Ragged Trousers and who will take the part of George.
He said: "It's a vitally important piece of theatre in the same vein as Ragged Trousers - in fact it was that production which inspired me to write this one.
"It's a focus on another aspect of labour history and it's a story that needs telling and re-telling.
"George was a methodist lay minister and self educated - he taught himself to read and write which was amazing in those days.
"I knew about the story before I wrote the play but not about all the detail so it's been fascinating to research it. I hope we can do these incredible people justice with the story because it must have been an overwhelming time for them.
"But it chimes with what is happening in terms of people having to work longer hours for less money.
"It's an extraordinary tale of determination and courage and that drives the story.
"And I'm so pleased we will be bringing it to the Bussey Building again as part of the tour because it's the most amazing space, incredibly creative and really fits in with the piece.
Neil will be joined by Elizabeth Eves to tell the story but music is an integral part of the production and will feature songs and hymns from the highly acclaimed folk singer and squeezebox player, John Kirkpatrick as well as puppetry and a backdrop of cartoon animations.


We Will Be Free takes place at the Bussey Building on November 29 and 30 at 7.30pm. Tickets cost £10 (£8 concessions and £5 unwaged). Call the Box Office on 020 7732 5275 or online at www.clfartcafe.org


Seussical, Arts Theatre, Great Newport Street

A SYDENHAM based director is bringing the stories of one of literature's favourite authors to life this Christmas.
Kirk Jameson is working with Greenwich and Deptford based theatre company Sell A Door on a production of Seussical, a musical which fuses the famous Dr Seuss stories of Horton Hears A Who and Horton Hatches The Egg.
The cast of 12, which is currently in rehearsal at Make Believe Arts in Deptford, will be taking the show to the Arts Theatre in the West End.
It follows on from last year's successful run at the Great Newport Street theatre but this year features a new cast and Kirk as director.
"It's a lovely show and was very successful so we are very pleased to bringing it back," says Kirk.
"It's got a great score and I'm a huge fan of Dr Seuss so it was a no brainer for me to want to direct it.
"It's really exciting especially as I am coming into it new. I didn't see it last year as I was doing other things so I'm putting my own stamp on it and coming at it with completely fresh eyes and fresh ideas."
For those who don't know, it features Dr Seuss's Cat in the Hat as the narrator who takes the audience on a journey into the world of Horton the Elephant.
Horton discovers a small world floating by on a speck of dust but this small world, inhabited by the Whos, is floating out of control through the universe.
Caught between a dust speck and his incubating egg, Horton must find a way to look after both.
"It's got lots of levels so will appeal to both adults and children," says Kirk.
"Children in particular have incredible imaginations and are completely able to be challenged on a creative and intellectual level by all the themes in the story."
And the 29-year-old says he is relishing bringing a production to the West End.
"I started working at the Union Theatre in Southwark three years ago and have learned such a lot from Sasha Regan who runs the theatre there.
"She's opened my eyes to the ability of being able to tell stories on stage without big budgets.
"Theatre isn't about expensive sets and how much money can you throw at everything. It's about telling a really good story.
"Working in the fringe sector you are forced to use your imagination and that's been an incredibly good grounding for me.
"But now I'm really excited to be able to spread my wings to the West End - it's an incredible moment for me and I'm so proud of the team because it's going to be a fantastic show."

Seussical is on at the Arts Theatre, Great Newport Street between November 30 and January 5, 2014. Tickets from £22.50. Call the box office on 020 7836 8463.


Merchant of Venice

MERCHANT OF VENICE

Jack Studio Theatre, Brockley Road.
FOUR STARS



Alexander Shenton as Bassanio and Rosemary Lippard as Portia


Stephen McNeice as Shylock.


A dimly lit stage made up entirely of an oversize and sturdy boardroom table which dominates the room is the setting for Lazarus Theatre company’s production of Merchant of Venice.
The show, now on at the Jack Studio Theatre above the Brockley Jack pub, is a trimmed down affair. At a mere 100 minutes a good chunk of Shakespeare’s text has been given the chop.
But the essence of the play is very much still there with all the action taking place in, around or on top of the enormous table.
When Bassanio decides to woo Portia he borrows money from his wealthy friend Antonio. Antonio believing his ships will bring him home a fortune readily agrees to lend Bassanio the money.
But before his fortune is realised and to pay Bassanio, Antonio takes out a loan with Shylock, a Jewish moneylender and a man who Antonio has insulted in the past because of his religion.
So sure is Antonio that his ships will come in that he readily agrees to Shylock’s bond which is a pound of flesh if Antonio fails to repay the loan.
However, although Bassanio successfully woos Portia, Antonio’s fleet is lost at sea, and with it his fortune, and Shylock demands his bond be paid in full. It is up to Portia, disguised as a lawyer to save the day.
The play itself is now regarded as a difficult one to put on given its apparent anti semitism. But this production is successful thanks to director Ricky Dukes, his top notch cast and their excellent interpretation of the text.
There are some elements that are curious – for example the sometimes slo-mo movements. But generally it is a lively and spirited show which brings Shakespeare's humour to the fore but which does not shy away from some of the darker themes.
And there are some stand out performances most notably Alexander Shenton as Bassanio, Rosemary Lippard as Portia and Stephen McNeice as Shylock.


The Merchant of Venice is on at The Jack Studio Theatre, Brockley Road until December 7.
Tickets £13. Call the box office on 0844 8700 887