SINCE he rose to fame
in the early 1970s, actor, writer and film director John Waters has
been making work that entertains, shocks and makes audiences cringe.
With his now trademark
pencil thin moustache, his early career was dominated by his
transgressive cult films which featured a regular troupe of actors
known as the Dreamlanders - among them Divine.
Since then the
69-year-old American, dubbed the Pope Of Trash and the Prince Of
Puke, and has consistently been pushing the boundaries of taste
bringing us such films as Female Trouble, Serial Mom, Pink Famingos
and Hairspray.
Now, a season featuring
his complete canon of work has just opened at the BFI Southbank.
It Isn’t Very Pretty…
The Complete Films of John Waters (Every Goddam One of Them…),
which runs until October 6, is the first complete retrospective of
Waters’ work in the UK.
It features his very
early underground short films, which have never been seen before in
this country as well as his more contemporary and mainstream work
such as the iconic Hairspray.
He has also personally
selected six eclectic British films to accompany the season in a
dedicated sidebar Teabaggin’ In The Kitchen Sink: My Favourite
British Films – all of which have moved or inspired him in some
shape or form, and include Joseph Losey’s Boom! and Roger Michell’s
The Mother.
"This
tribute is like receiving a plenary indulgence from the movie gods
above and for once I can be show-biz thrilled without the slightest
drop of irony in my thanks," he says.
"Yikes,
respectability…the final outrage.”
The season has been
curated by Justin Johnson who says he's "very excited"
about bringing Waters' work to the BFI.
"He is a
remarkable film maker by any measure and is incredibly interesting
which is why we were so keen to put on a season of his work by way of
celebration," says Justin.
"He has always
been very much on the outside of both respectability and the
establishment and so for us to honour him in this way is huge.
"He began when he
was about 17 using the cheapest equipment to make a series of short
films for about $1,000 each with his friends at his home.
"He worked with
the Dreamlanders who included Divine, Mary Vivian
Pearce, David Lochary and Mink Stole. They were the core cast members
in his shorts, Hag In A Black Leather Jacket, Roman Candles
and Eat Your Makeup.
"Some of the stuff
was outrageous, shocking and ridiculous - and made with shock value -
but are fascinating examples of juvenilia, but they really show and
hint at the genius that was to come with his later work.
"He was inspired
by a lot of great film makers and eventually he managed to make the
move to Hollywood producing more mainstream films and worked with
amazing people like Tracey Ullman, Johnny Knoxville, Selma Blair and
Mink Stole."
What Justin is
particularly excited about is being able to bring all Waters' films
to the BFI including those early shorts that have never been seen
outside America.
"We are incredibly
honoured and delighted that he's given permission for us to show them
- it's a unique opportunity," says Justin.
"He never went to
film school and so his early films are not polished at all but we
wanted to celebrate his entire career and so if you see them as a
whole you watch his journey in film.
"The films he made
after he moved to Hollywood are more polished - in Serial Mom, which
is one of my favourites, you can see that. It's really well edited
and directed and I always have a smile on my face when I watch it.
"But I love most
of his films - Pink Flamingos and Polyester are great - and I loved
his career with Divine. It was so sad Divine died so early because it
was a great film partnership.
"He deals with
some really hard issues in his films but there are also some very
sweet sentiments within them - they are such well constructed and
lovely films."
As well as his own,
Waters has also picked his six favourite British movies to be shown
over the festival.
"He's coming over
especially for the season and will be here for three days," says
Justin. "We asked him to chose the six British films he loves
most and he will be introducing them.
"He was really
thrilled and a little surprised when we put forward the idea of the
season. We started talking to him about it a long while ago but as
he's so incredibly busy all the time, despite the fact he hasn't made
a film in 10 years, it's only been now that we could get time in his
diary."
As an extra treat
Waters will be taking part in an In Conversation event with Justin on
Friday, September 18 followed by a book signing.
"It will be really
fascinating to speak to him," says Justin. "It will be a
proper in depth career interview and a real insight into his life and
career - about what inspired him to pick up a camera and then do work
that would shock us.
"His reputation
has been built around guerilla film making but he's a real auteur and
a unique film maker and a fascinating character. He writes, acts and
paints as well as directs - he's a real man for all seasons.
"Who knows what
the future may hold for him. He’s a workaholic, very active and
full of energy so he will do something - and it will be exciting.
"I am sure he will
have so much to say so for John's fans it will be a real treat."
It isn’t Very Pretty…
The Complete Films of John Waters (Every Goddam One of Them…) takes
place at the BFI Southbank until October 6. Visit
www.bfi.org.uk/southbank for full listings or call
the box office on 020 7928 3232.
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