Three Stars
Scene from Evening At The Talk House, credit Catherine Ashmore
RUFUS Norris' tenure at the National Theatre
certainly started with a bang earlier this year with a series of
frankly stunning shows.
So it comes as a bit of a shock to the system that
new play Evening At The Talk House at the Dorfman doesn't appear to
be quite in that league. In fact it appears a bit of a blip has
occurred – though how it did I'm not sure.
It's a shame because the play has all the
hallmarks of a promising piece. It is penned by American actor and
playwright Wallace Shawn and it has a stellar cast - including Shawn
himself who plays a washed up has bean of an actor who has been
roughed up by his "friends" and is now seeking sanctuary in
the Talk House.
However, it is all a bit weird. It seems
unfinished, not at all polished and in fact I couldn't exactly tell
you what it was really about but I had a pretty bleak view of
humanity by the end of it.
But that's not to say it wasn't fascinating or
absorbing. It was in a strange way. I just didn't understand it and I
know from the faces of those around me at the end of the performance
that I wasn't the only one.
It appeared to revolve around a group of actors,
writers and producers who had in their heyday frequented The Talk
House, a private members club.
They gathered again one night after a period of 10
years in which we glean that their lives have gone in very different
directions – some have become much more successful while others
have fared less well.
As they chat over copious glasses of alcohol and
an abundance of food - for which the club appears to have been known
- many subjects looked as though they were going to be tackled. These
include the terror threat, declining cultural standards, a debate on
TV versus theatre and how children were being taught to murder fellow
citizens. But none of them were knitted together or explored fully.
The set had echoes of an Agatha Christie story and
given that there were ramblings about how some of the characters now
had jobs "sticking" random people (murdering them) in
places like Nigeria I fully expected someone to get bumped off.
They didn't, although one character spent a good
five minutes towards the end wailing about how she wanted to die.
The end, when it came was a bit of a damp squib
too. While some may find the themes interesting for me they weren't
explored enough.
Evening At The Talk
House is on at the National Theatre until March 30. Tickets from £15.
Visit www.nationaltheatre.org.uk or call the box office on 020 7452
3000.
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