IN the 100th
anniversary year of the release of The Battle of the Somme film, it
is perhaps fitting and certainly timely for an exhibition that looks
at and examines how wars of the past 100 years have provided
inspiration to film and documentary makers.
Real to Reel: A Century
of War Movies, which has just opened at the Imperial War Museum, is
an interactive and immersive exhibition which goes behind the scenes
of some of the war films that have captured the imagination of
audiences across the generations.
Featuring some of the
most celebrated and provocative war movies from the past 100 years,
it shows how film-makers have used war’s inherent drama to
translate stories of love and loss, fear and courage, triumph and
tragedy into blockbusters for the big screen.
Alongside 200 items
including a combination of film clips, costumes, props, scripts,
sketches and designs, the IWM opens up its own extensive collections
to bring original archival material and artefacts to new audiences.
Accompanied by
immersive audio-visual installations, the exhibition will explore the
film-making process and how war movies have shaped popular perception
of conflicts.
It will also include
items from iconic films such as The Dam Busters, Where Eagles Dare,
Apocalypse Now, Battle of Britain, Das Boot, Casablanca, Jarhead,
Atonement and War Horse.
It has been put
together by historian and curator Laura Clouting who says that it has
proved a fascinating subject to bring to the museum’s visitors.
“IWM has wanted to go
back to look at the subject of war films for a while,” she says.
“We felt it was important because the cinema is one of the main
ways of getting a visual impression of what war can be like.
“What this exhibition
does is explore the enduring fascination of war on the big screen,
and why film makers have been inspired to make such movies and how
these stories have influenced our understanding of war.
“It has been a
fascinating process putting it all together and delving into the
archives here at the IWM to bring out some items which we don’t
normally see. It represents a unique opportunity to see these items
which as well as our own include props and costumes from other
organisations.
“What was important
when creating the exhibition was to make sure there is a real mix and
breadth to it - so it features the impact of documentary film such as
the Battle of the Somme film as well as blockbuster Hollywood films.
“In 1916 the Battle
of the Somme film was put together for audiences who did not know
what was going on in the front. It is important to remember that
cinema was very new during the First World War and people were
desperate for news. They had been used to getting it through
newspapers but film became a way of getting a sense of what their
loved ones were going through. It was an important way of
understanding what it’s all about to live through war.
“The equipment they
used was very heavy and they had to go to a position of safety to
shoot it. In fact some of the scenes were recreated elsewhere, but it
was an incredibly important film and really paved the way for what
has come since."
There are five sections
which make up the exhibition - Introduction: the war film genre;
Inspiration: why are war films made? Making a film: how do film
makers bring stories of war to life? Release and reception: what
impact do war films leave? and Finale: through a montage of final
scenes and endings drawn from films across the century, this section
shows how film-makers put an end to their war stories.
All of them explore how
war has proved a profoundly compelling subject since the earliest
days of cinema.
And while many might
think that war films are just about the battles, it provides a chance
to prove that this is not the case - and in fact that war can act as
a backdrop and scene setter.
“War shapes peoples’
lives in ways that are far beyond the battlefield,” says Laura.
“For example Casablanca is not about any battle but war was the
backdrop for the story and it determines the course of that love
story.
“The biggest surprise
for us when collating all the various parts of the exhibition was
that although we have all seen or have heard about a lot of war
films, when we began to dig we realised just how many there are.
"And equally
fascinating is that we see the way films have changed over the years
- for example the sense of futility, waste and terrible slaughter in
World War One had gone by the time it comes to World War Two.
“And of course some
have been much more heavily covered than others. World War Two for
example is a case in point, as is the Vietnam War - both have
provided inspiration for films both fiction and non fiction.”
Laura hopes that the
exhibition will fascinate both those who are film buffs as well as
those who have not seen any war film.
“We want it to be
approachable for everyone,” she says. “It is a big exhibition and
is visually very striking and there is much for people to enjoy and
take away whether they are avid film fans or are new to the subject.
“It’s an
opportunity to understand the inspiration behind the films and there
will be something there for everyone.”
Real to Reel: A Century
of War Movies is on at the IWM, Lambeth Road until January 8, 2017.
Tickets cost £10 for adults and £5 for children. Visit
www.iwm.org.uk or call 020 7416 5000 for full listings.
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