THE rugged and
beautiful Scottish landscape and the works of poet William Blake have
provided inspiration for two dance shows which will be performed at
the Southbank Centre this week.
Miann - the Gaelic word
for craving and desire - and Innocence have been choreographed by
Scottish Dance Theatre artistic director Fleur Darkin.
And while there are
similarities within the pieces on a basic level, Fleur tells me they
are aimed at two very different audiences.
"Miann is very
much for adults whereas Innocence has been choreographed especially
for children," she says as we chat in a break from rehearsals.
"Innocence is
essentially a playroom performance for little ones and features
music, song and even some animal noises! It's very playful."
Fleur, who moved to
Dundee from her native Peckham just over two years ago, says it was
the poetry of William Blake and his vision of angels which inspired
the piece.
"I'm from South
London and it was an area where Blake lived and where he had his
visions of angels," she says.
"I had been
thinking about doing a show for children for a while and his poetry
had a real resonance with me and the more I thought about it the more
it appealed."
As well as
choreographing the piece Fleur has included some of his poems which
have been set to music by musician Paul Bradley who plays live during
the show.
"There is a real
variety of musical styles which makes the piece come alive," she
says.
"Through the
music, the dancers invite the children to explore Blake's poetry and
imagination and enter a realm full of mystery, fun and adventure.
"The children
share the stage with the performers and they lead a merry dance. It’s
not like in the theatre where they have to sit still.
"It’s amazing to
see the children take the piece in different ways," she adds.
"They have no inhibitions and as soon as the music starts and
the dancers start moving, so do the children.
"It's almost like
watching grass grow - they just spring up as if they are heading to
towards the sun. It's beautiful to watch."
And she says not only
do the children get a lot out of the piece, so do their adult
companions.
"It's as much for
the parents as it is for their young charges," she says warmly.
"What is lovely is that when we've performed it before, parents
have come in a bit stressed but have let themselves go during the
show - it's liberating to watch!"
In contrast Miann is
sensual, tactile and intimate and Fleur's choreography creates an
intimate ritual about grief and loss.
"It is about
craving, longing, abandonment and a desire to almost be at one with
nature," she explains. "It's also quite a dark show with 12
performers and a lot of blood, sweat and tears."
Like Innocence it
features live music but this time by Glasgow band The One Ensemble.
"The music is
incredible - it's part punk and part chamber music," she says.
"There’s no real
story as such but it's about living and dying, opening up to the land
in a most sensual way and connecting with it on a visceral level.
It's very emotional too and the audiences go on a journey with it.
"I wanted it to be
engulfing and to create something that conveyed the relationship we
have with the land and the fact it is anyone's.
"It's almost like
the opposite of Innocence.
"Miann is very
much inspired by where I now live in Dundee where the rugged
landscape, the sea and the environment are so beautiful," she
adds.
"When I moved to
Scotland two years ago to take on this job, it was a wrench to leave
London but when I got here I was really struck by the landscape and
the fact there was no noise - it is very inspiring.
"In London there
is a brutality to the place with lots of energy, noise and people
living so close together.
"But wherever you
are, nature will stop you in your tracks and we should get lost in
it. So this piece is about the way grass falls under your feet, how
the rain falls and sound falls - there is even real mud on the
stage!"
And she says she can't
wait to bring it to the Southbank Centre.
"I was born and
brought up in South London and had my kids here so it still feels
like home in many ways," she says.
"The Southbank
Centre is a brilliant space to perform in and does so many great
things to bring people closer to the arts - it's wonderful and very
much part of London culture so it's fantastic for us to be part of
that.
"It's really
exciting to come home and show it to a London audience," she
says. "I can't wait!"
Miann is on at the
Queen Elizabeth Hall, Southbank Centre, on Thursday, April 9. Tickets
cost £15. Innocence is on at the Spirit Level, Royal Festival Hall
on Wednesday, April 8 and Friday, April 10. Tickets cost £12 for
adults and £6 for children. Visit www.southbankcentre.co.uk or call
the box office on 0844 875 0073.
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