Friday, 4 July 2014

Review - Pajama Game





FOUR STARS

A MUSICAL set in a pajama making factory in 1950s midwest America may sound a somewhat strange idea but don't be fooled because one such which has recently opened is a guaranteed crowd pleaser.
The Pajama Game is packed with fun, jolity, fabulous music, cracking songs and brilliant dance routines from the off and don't stop until the curtain comes down, ensuring the audience will leave the theatre with a smile on their face and a spring in their step.
Richard Eyre's production was first seen in Chichester last year but has now been transferred to the Shaftesbury Theatre.
The story concerns the workers of the Sleep-Tite pyjama factory who are desperate for a seven-and-a-half cent an hour pay rise.
However their tight fisted boss Hasler is having none of it and hires the handsome Sid Sorokin as his superintendent to keep them in line.
In the true traditions of all good love stories he immediately falls in love with feisty union rep Catherine "Babe" Williams who is in charge of the grievance committee.
Their relationship starts of on rocky ground as a result but of course just when you think things are plain sailing it all falls apart when he has to fire her for a misdemeanor.
Elsewhere there is much hilarity thanks to the brilliant secretary Gladys who does a great burlesque routine and Vernon Hines, a time and motion man in love with Gladys but who has a penchant for drink and knife throwing - mostly at the same time.
Although there are superb performances from the likes of Michael Xavier as Sid and Gary Wilmot as Hines, it is an ensemble piece where the entire cast get their moments to shine.
And shine they do. This is a toe tapping, glorious, colourful, vibrant and utterly blissful show.


The Pajama Game is on at the Shaftesbury Theatre until September 13. Tickets from £20. Call the box office on 020 7379 5399.  

Theatre Review - A First World Problem



Amelia (Molly Vevers), Hebe (Milly Thomas),




L-R Amelia (Molly Vevers), Hebe (Milly Thomas), Lydia (Kate Craggs)
pic credit Jack Sain

FOUR STARS

IF you ever wondered what life could be like at a posh girls only boarding school then check out a production of a new play, A First World Problem which is currently on at Battersea's brilliant Theatre503.
Disturbing, funny, emotional and sad this brilliantly observed piece by Milly Thomas hits you right between the eyes with its brutal depiction of life at a fictional institution for extremely privileged girls who work hard and play hard.
It is like a 21st century version of St Trinian’s with its references to drugs, teenage hormones, porn, sex, eating disorders, bullying, extra curricular activities with male teachers, attempted suicide and feminism.
These subjects are played out and explored by Hebe (Milly Thomas), Lydia (Kate Craggs) and Amelia (Molly Vevers), three 18-year-old friends anxiously awaiting letters which will tell them whether or not they’ve got into Oxford University.
Hebe is a mouthy but extremely bright and articulate girl on the verge of womanhood. Vulnerable but strong she is a nightmarish and volatile cocktail of raging hormones and cruelty in the way she speaks and acts.
Milly Thomas is fantastic as this troubled teen switching from foul mouthed ranting bully - who has no off switch when it comes to controlling her nasty outbursts towards her fellow pupil Amelia - to sexy and seductive when she ends up having extra history lessons with young teacher Steve.
Kate Craggs and Molly Vevers put in great performances as the other two girls as well as their portrayals of Steve and headteacher Ms Broad.
And putting the production on at the tiny Theatre503 is a stroke of genius as it gives a sense of the claustrophobic atmosphere these girls live in.
At just 90 minutes, this is an intelligent piece, well staged, that tackles serious and important topics in a sensitive but enthralling and entertaining way.

A First World Problem is at Theatre503, Latchmere Road until July 12. Tickets from £10. Visit www.theatre503.com or call the box office on 020 7978 7040.




Tuesday, 1 July 2014

Robert Newman - New Theory of Evolution at the Balham Comedy Festival



JUST over 20 years ago Rob Newman and his comedy partner David Baddiel were selling out stadiums and commanding an astonishing level of celebrity status and success.
The pair were the pin ups of their generation and responsible for turning comedy into the new rock’n’roll.
However, while David went on to find a continuation of fame and fortune with projects such as Fantasy Football League after they split, Rob's career went a totally different way.
Indeed for a while he virtually disappeared from view, shunning the limelight and only popping up from time to time to do one-off solo projects.
The time away allowed him to reinvent himself from the poster boy image he clearly felt uncomfortable with to the politically astute, anti-establishment comedian and writer he actually was.
But now Rob, or Robert as he prefers to be called, is back with a new show, the New Theory of Evolution and which he is bringing to the Balham Comedy Festival next week.
Part of a nationwide tour, it is his first new show for seven years and as we chat it's clear the 49-year-old is delighted to be back behind the mic.
"I've never done the Balham Comedy Festival before but I'm really looking forward to it," he says. "The Bedford Pub, where it's held, is a great venue and I've seen some amazing comedians there over the years.
"I did perform there once and it was the sweetest loveliest gig so I'm pleased to be able to bring the show here."
The New Theory of Evolution sees Robert tell the story of how a series of personal disasters and jammy flukes led him to stumble upon a whole new theory of evolution, which he calls the Survival of the Misfits.
It’s a story which includes altruistic vampire bats, Prince Kropotkin’s daring escape from a Tsarist dungeon and Richard Dawkins’ postman wrestling naked.
"I've been touring it for a few months now," he says. "It's normally 90 minutes long but at Balham I only have an hour so the audience will get a greatest hits version with a bit of ukulele at the end - great comedy always ends with a song!
"But the main thing is I put forward a new theory of evolution."
It sounds a bit heavy I suggest tentatively. Do people need a degree to understand it? He laughs.
"Oh yes, everyone who comes along will be required to sit a general knowledge test and those who fail will be banished to the next room!
"Actually although it's more focused on science it is tremendous fun to talk about," he enthuses. "It's about ideas, and if you have got ideas, you open up this whole new world which gives you much more material to talk about - for example the strange behaviour of wolves or flat worms.
"Audiences want ideas and I think there is a hunger for that - it certainly gives you more to get your teeth into and it doesn't make it less funny - in fact it makes it more funny.
"There is a big industry out there telling us that we are born selfish and it's such a depressing idea so it's the job of the comedian to cheer everyone up and get rid of that wrong idea by tearing a hole in it.
"I have had a few guffaws from audiences...!"
Softly spoken, but warm and extremely polite, throughout our chat Robert comes across as thoughtful, almost nervous and at times seems almost embarrassed by his younger self.
"When I read these reports of what it was like back then [at the height of his fame], my experience was completely different," he says simply. "It's not something I recognise.
"I remember being chased around back stage by the security guards. They just saw a scruffy bloke and thought he shouldn't be back stage so they chased me. It was quite tense.
"I got very nervous and stressed out - I didn't have any sang-froid."
So are things better now that he's back I ask?
"Oh yes," he enthuses. "I am really loving it although I wasn't sure how I would feel initially because I'd been away for a while," he admits.
So why the long time away? It appears health, parenthood and other projects got in the way.
"I wrote my book The Trade Secret which took me six years - I'm a slow writer and thinker," he says somewhat apologetically.
"It's based on a true story and there's a lot of Elizabethan swashbuckling that goes on in it so it was great fun to do and I enjoyed escaping into that world.
"I also had a couple of operations on my back and spent a year learning how to walk again though I'm OK now. And then I became someone's dad.
"It was only after all that I started on this show and it involved a lot of workshops and research.
"I hope now I'm back the comedy is richer for all that experience - I'm certainly enjoying it very much," he adds. "People have been warm and generous in their reaction and appreciation which is fantastic.
"I think I'm enjoying it more these days although I do miss the tour bus and my tour manager," he jokes. "These days it's just me on my own and in smaller venues."
And this is something he prefers.
"I did a gig at the Shepherd's Bush Empire with Mark Thomas which was nice but I thought I was going to have a heart attack beforehand as I was so nervous.
"It was terrifying and really scary. Now I think anywhere bigger than the Hammersmith Apollo doesn't work for me - or for comedy come to that, and I regret having set a bad precedent.
"Even with bands it is always disappointing in a large venue as you can't see them - if I was that popular again I don't know I would choose a large venue.
"I love smaller places and the connection you have with your audience so I'm really looking forward to the gig at the Bedford.
"The only thing is that the pub is right next to the railway line so you always hope a train doesn't come by in the bit just before the joke's punchline!"


Robert Newman's New Theory of Evolution is at the Balham Comedy Festival, Bedford Pub, Bedford Hill on Friday, July 11. Tickets cost £16. Visit www.balhamcomedyfestival.com or call the box office on 0208 682 8940.

The Valley of Astonishment - The Young Vic

FOUR STARS

ONE of this country's most eminent theatre directors makes a welcome return to the Young Vic with a fascinating self penned piece on synaesthesia and the impact it has on peoples' lives.
The Valley of Astonishment has been written by Peter Brook and grew out of an earlier work focusing on memory, Je Suis Un Phénomène.
This production, which is being performed on the Waterloo theatre's main stage, is a 75-minute long performance from three actors and two musicians in which we delve into the lives of people who have synaesthesia - a neurological condition in which people find their senses blend together - for example, music has colour, words have pictures and numbers have flavours.
The central performance is that of Kathryn Hunter as ordinary woman, Sammy Costas, for whom synaesthesia results in an extraordinary capacity to remember sequences of numbers and words which she sees as pictures dancing in her mind.
We meet her when she is a reporter at the local paper. She has no need of a notebook because of her phenomenal ability to remember absolutely everything. Her news editor is so stunned he sends her off to see two neurological scientists who put her in for a series of cognitive tests.
They encourage her to see her abilities as a gift which can further her career and suggest a career in theatre which she eventually turns to. However after a while it all gets too much and she goes back to them complaining that she has so many things in her head she feels as though it may burst.
In asking for their help in how to get rid of all the information stored in her brain she sees it as more of a hindrance rather than a gift.
Her story interweaves with others including Macello Magni's one-handed magician who gets two people from the audience to help him in his tricks and Jared McNeill's jazz loving artist for whom music and colour are as one.
And although the subject matter sounds somewhat heavy, it is actually gentle, fascinating, touching and funny, thanks in part to the beautiful music played by Raphael Chambouvet and Toshi Tsuchitori who sit on the stage throughout.
It is a beautifully staged piece with great performances from all those involved.

The Valley of Astonishment is on at the Young Vic, The Cut, Waterloo until July 12. Tickets from £10. Visit www.youngvic.org or call the box office on 020 7922 2922.


Brockley Open Studios

A GROUP of talented artists are throwing open their doors to the public on Saturday (july 5) as part of an annual three day exhibition.
Now in its 22nd year, the Brockley Open Studios is a chance for people to come and have a look at the work of painters, sculptors, ceramic artists, photographers, printers, leather work, metalwork and textile makers who live and work in the area.
It will be an opportunity to meet the artists, see them at work and buy or just browse their pieces.
Many of those whose work will be on display are former Goldsmiths and Camberwell Art Schools graduates.
All the studios are within walking distance of each other.
The annual event, which started in 1992, will this year run from 2pm to 8pm on Saturday and Sunday, and 5pm to 8pm on Monday July 7.
Thirty six artists and their studios will be open over the three days.

Visit www.brockleyopenstudios.co.uk for full listings.