IT hardly seems
possible that it is 20 years since Ocean Colour Scene were riding
high in the charts wowing their fans with sell out shows and a
succession of hit songs.
Hailing from Moseley in
Birmingham they fused blues, rock, folk indie and Britpop and, along
with Blur and Oasis, were one of the bands of the 90s.
Since those heady days
they’ve headlined stadiums around the world and amassed a
mantelpiece full of awards, not to mention five Top 10 albums and six
Top 10 singles. These included perhaps their crowning glory, the
seminal The Riverboat Song from their 1996 album Moseley Shoals which
was propelled further into the nation’s psyche when DJ Chris Evans
chose it as the music to introduce the guests on his hit show TFI
Friday.
And in an age when
bands come and go OCS have weathered the industry storms, various
line up changes and are still very much together.
Indeed they continue to
tour and are currently preparing for a special show at the Royal
Festival Hall on Wednesday, February 18.
It will be the first
time the band has played on its stage and in another first they are
doing so complete with a string orchestra.
“We are very
excited,” guitarist Steve Craddock tells me cheerfully. “It’s a
great venue – the ideal space. It looks perfect and suits what we
are doing.”
What they – Steve,
Oscar Harrison and Simon Fowler – will be doing is playing a
selection of their hits in a stripped back acoustic set accompanied
by the orchestra. And Steve promises this will include some material
never heard before.
“It’s going to be a
real mix,” he says. “We are going to revisit albums such as One
From The Modern and Mechanical Wonder and some of the singles –
it’s about going back to basics.
“However, it will
only be those tunes that are less rocky 'cause we are giving them an
acoustic twist.
“There will
definitely be stuff we’ve not played before too which I hope the
crowd will like.”
What they won’t be
doing is The Riverboat Song – I suggest that might not go down too
well with the crowd but Steve disagrees.
“It’s an acoustic
set with an orchestra and that song just wouldn’t sound right if we
did it,” he says. “It’s a bit too rock n roll really and not
what this show is about.
“Songs like The
Circle and The Day We Caught the Train – they will sound great but
not all our stuff will so we have to leave those that don't out.
"We have kind of
done acoustic before but it’s a first to do it like this. I think
it will sound beautiful though – it’s not going to be a rock n
roll gig!"
Maybe not, but then
they’ve been there and done that – most notably the now infamous
Knebworth gig in 1996 in which they supported Oasis at the height of
the Britpop era.
“It was incredible,
unreal and surreal,” he says. “We had a number 4 single in the
charts and were supporting Oasis who were just amazing.
"It was amazing,
extraordinary but it was a bit like a day out at the zoo. Knebworth
wasn’t really us.”
And although they were
at times labelled as a Britpop band alongside Oasis and Blur, for
Steve this never sat easily.
“We were around at
the same time as the others but I don’t think we were really
Britpop,” he says. “I mean it was nice that we were added to that
group because these were big bands and I’ve got a lot of time for
Noel [Gallager of Oasis].
“Also we never felt
part of Britpop because we were from Birmingham – not Manchester.
“Mind you we were
called all sorts - 'baggy' and 'moon gazers' – loads! But you can
call us anything you want really, we’re just us and still the same
as we ever were.
“We are still doing
what we have always done, are a bit older and a bit wiser, that’s
all. And we still have the same passion and buzz and being out on the
road is great.
“I think it’s
amazing to still be here though,” he adds cheerfully. “It’s 25
years since we started out – that’s something.
“Bands should really
only last six years and then go but we kind of stuck around, kept
working and here we are.”
So how have they stood
the test of time? What keeps them when others fall by the wayside?
“Oil of Ulay!” he
jokes. “Seriously though, we are not in each other’s pockets. It
always seems quite fresh when we are together. But ultimately we are
just a little folk band like we were when we first started out and
things haven’t really changed.
“I’m not sure if
that’s a good or a bad thing,” he adds. “But it’s just how it
is.”
But he concedes that
time away from each other to do separate projects helps keep that
fresh feel. For Steve, breaks from the band have given him a chance
to pursue solo projects as well as collaborate with other artists.
“I did a tour playing
guitar with the Specials and I have worked with Paul Weller which was
amazing.
“We supported him a
couple of times in 1992 and recorded in his studio and kind of got to
know him then and he asked me to come down for an audition. It was
terrifying! I swallowed a lot of dope before I went in so my guitar
looked like an anaconda,” he chuckles at the memory.
“I also did a single
with Liam [Gallagher]. I like him - he’s got a great and very
original voice. And I did a single with KP Arnold which was a dream.
I have just found an old song we did together and I’m going to put
it on my next solo record.”
Sadly despite their
continuing appeal Steve says there are no plans for new OCS material.
“Maybe in a couple of
year’s time,” he says when pushed. “It’s just sitting down
and getting it done.
“We are still going
to be touring though and I am recording some solo stuff this year. I
would also like to get an album with a few guys – Paul [Weller],
Terry Hall. That would be fun."
Ocean Colour Scene are
at the Royal Festival Hall on Wednesday, February 18. Tickets from
£20. Visit www.southbankcentre.co.uk or call the box office on 020
7960 4200.
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