IN 1978 a musical
version of HG Wells' classic sci fi novel, The War Of The Worlds was
released.
It was written by Jeff
Wayne, an American musician who had enjoyed a successful career as a
composer writing work for fellow musicians as well as adverts, movies
and TV.
Starring David Essex
and with a cameo role from Richard Burton it was an immediate hit and
over the years that followed developed into an all time classic.
Indeed in the nearly 40
years since it was released, it has sold more than 15 million records
worldwide, has spent more than 330 weeks in the UK album charts and
has won two UK Ivor Novello Awards.
Such was its popularity
it spawned multiple versions of the album, video games, DVDs, and
live tours.
And it is a final live
tour of the show that Jeff is now in the middle of and which includes
two performances at the O2 next Saturday.
Speaking to me from his
home in Hertfordshire Jeff tells me he's both excited and sad to be
bringing it back for one last time - though hints it will go in a new
and exciting direction next year.
"Bringing The War
Of The Worlds to life in many of the world's finest arenas has been
the most amazing experience, both musically technologically," he
enthuses.
"Every time we've
done a tour we come to the O2 so I'm excited to be coming back to
this amazing arena.
"However, the time
is right to take the show in new directions after the 2014 tour so
this will be the last time."
Conducted by Jeff, the
production boasts an all star cast that includes Liam Neeson in 3D
holography, Jason Donovan as Parson Nathaniel, Westlife’s Brian
McFadden as The Sung Thoughts of The Journalist, X Factor winner
Shayne Ward as the Artilleryman and actress Carrie Hope Fletcher as
Beth.
It also promises some
spectacular special effects including a three-tonne 35ft tall Martian
Fighting Machine, a 100 ft wide animation wall, the incineration of a
cast member in front of the audience's eyes and a ground breaking
levitation effect.
And as if that wasn't
enough, it will also feature the HG Wells himself who will be brought
to life in sigh and sound.
"I'm very excited
about this," says Jeff. "Every time we do a tour technology
has moved on and so we always bring in new ingredients for the
audience.
"With this one I
decided it was high time that HG Wells, who was a charismatic
character and very clever, should be given a chance to have his say -
about why he wrote what has become known as the first science-fiction
story ever written and its meaning to the real world we live in."
Wells will be seen and
heard in three scenes within the show - aged 33, 53 and 79 - spanning
the end of the 19th century and the two subsequent World Wars.
"He extends his
hand to the audience so it's pretty special," says Jeff. "We
worked with a company who do amazing prosthetics and make up for some
of the biggest films. He has to age authentically and you need to
believe it's the same person.
"So far the
reaction has been fantastic and I think this tour really does top
anything we have done before."
That the musical
version of the story ever came to fruition in the first place is
purely down to Jeff's determination though he admits it almost didn't
happen.
"I was always a
composer and during the 1970s as well doing stuff for movies and TV I
also worked with David Essex as his producer," he said. "I
toured with him for a few of years as his musical director.
"However I wasn't
doing much composing for him so my dad said I should get back to what
I was good at and passionate about.
"He reminded me
I'd always wanted to write a musical story and that was the start of
it."
Over the following
year, Jeff said he read books of all shapes and sizes until the night
before he was due to go on a tour when his father handed him a copy
of The War Of The Worlds.
"There was no
internet back then so I had plenty of time to read it and I fell in
love with it," he says.
"It was quite an
extraordinary story with amazing characters and in many respects
ahead of its time.
"Wells was also
taking a pop at the expanding British Empire saying that moving into
another man’s territory was wrong, and that faith versus faith was
wrong. His science and maths was quite visionary for the time."
What surprised Jeff
though was that it wasn't written originally as a book but for a
magazine.
"In those days
writers were asked to pen stories that left the reader on a cliff
hanger so they would buy the next edition of the magazine," he
says.
"His were really
succinct chapters and as I read the first one - the Eve of the War -
I realised it read like an overture.
"Each chapter
flowed on from that and so I followed the story in the same way he
wrote it and followed the chronology."
Sold on the idea of
adapting it to music, as soon as Jeff had finished the tour he was
involved with he began the process of finding out if the book was in
copyright and what he could do with it.
"I went to HG
Wells's estate and told them I wanted to do a musical interpretation
of the book. They didn't know much about me or my career but the
thing that convinced them was that I was the first person who wanted
to stay true to what he wrote."
His pitch worked and
so, after having been given the nod by Wells' family, Jeff sank his
life savings into the project and in January 1976 he booked a studio
for May, a deadline he says was ambitious but necessary.
"It took over my
life," he says cheerfully. "It cost £240,000 to produce,
we ran out of money and everything was on the line but I knew I'd
never get another chance to do this.
"It took six weeks
to compose the first draft. My step mum adapted my notes and by mid
February we had a cast of characters and the arrangements for the
score.
"We were in the
studio in May and had five weeks of band sessions and just did the
album."
During the composition
period Jeff realised the Journalist character was key and the thread
which ran through the whole thing. He wanted a voice that would take
the listener right inside the world that had been created.
"I wrote to
Richard Burton and amazingly he said he loved the idea and came on
board which was fantastic," says Jeff. "This time we have
Liam Neeson which is equally special and I feel as though we've
struck gold twice!
"Looking back I
think it was a crazy way of living," he admits. "I am proud
of it though, I'm proud of its life and the piece of work I have
created.
"It was an incredible experience, though I never knew it would be the success it ended up being.
"It was an incredible experience, though I never knew it would be the success it ended up being.
"I certainly never
expected it to be such a huge show! It just grew.
"I hope it's
reached people," he adds. "I don't know what HG Wells would
have said but Frank his son and other members of his family said they
felt he would have been very proud of it which makes me very happy."
The War Of The Worlds
is on at the O2, Greenwich on Saturday, December 13. Tickets from
£38.50. Visit www.thewaroftheworlds.com/tickets/ or
www.livenation.co.uk/
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