THERE can't be many
children who don't know the story of Peter Pan, the boy who refused
to grow up.
The classic story,
written by JM Barrie, was originally done as a play before it was
turned into a book. Since then it has been adapted many times and
translated onto the silver screen as well as for a variety of stage
productions including pantomimes.
A stage version is now
being brought to life for youngsters at the Polka Theatre in
Wimbledon.
And according to
artistic director Peter Glanville, it features original songs,
puppetry, swashbuckling fun and lots of fairy dust.
"We are always
looking for a big classic story to produce around the Christmas
period," he says. "I have always loved Peter Pan - it's one
of the greatest stories ever told.
"On the one hand
it's an incredibly imaginative story, full of pirates, fairies and
children that can fly but at its heart there are these incredibly
powerful relationships.
"There is an
interesting relationship between Peter and Wendy and how that pans
out plus we have the bitter rivalry between the pirates and the lost
boys.
"They are iconic
characters and there is huge potential for spectacle.
"Crucially it also
draws us in emotionally so it had all the ingredients for the
creation of an exciting show."
In developing the
production, which Peter says has taken almost a year to do, there
were a few challenges to overcome not least how to make some of the
characters fly.
"We could have
blown our budget on a massive flying rig but the stage isn't big
enough," he says.
"I have a real
passion for puppetry and I started to get ideas of how some of the
characters could be represented through puppets.
"As a fairy
Tinkerbell in particular seemed an appropriate choice, and I thought
the snake could be one too, so I got an extraordinary puppet maker in
who has created some amazing puppets for us.
"It means we now
have amazing flying scenes in the show - it's fantastic."
As well as the
challenge of staging the piece, Peter was also keen to update some of
the messages within the original story.
"It is slightly
dated so I have set it in the 1960s which was a time of change where
people were questioning the role of women and bringing the whole idea
of being young to the forefront.
"There is also a
bit of a Mod look to Hook which has been fun to do and there's even a
bit of jive dancing!"
What there won't be is
any audience participation except for one crucial scene.
"It's been created
very much as a piece of theatre and is certainly not a panto,"
says Peter.
"However there is
a tender scene in the story where Tinkerbell drinks poison Hook has
left for her and we see her light fade away.
"It is the only
part of the show the actors talk directly to the audience and ask for
help to make Tinkerbell better."
And he says he hopes
the whole show will grip the young audiences.
"Our challenge is
always how we can make the experience as rich as possible for our
audience whatever their age - emotionally and intellectually,"
he says.
"This show is
funny, sad, exciting and quite dark in places so hopefully it will
stimulate their imaginations and get them asking questions about why
the characters act the way they do - why is Hook feeling a sense of
anger and why does Peter Pan refuse to grow up.
"It's been
incredibly exciting to create."
Peter Pan is on at the
Polka Theatre, Wimbledon until Saturday, February 14. Tickets cost
from £17.50. Visit www.polkatheatre.com/ or call the box office on
020 8543 4888.
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